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This sculpture of Dionysus,
god of wine, is standing or more leaning on his compassionate follower, Pan. It
is etched from marble and the surface is somewhat harsh.  This sculpture was sculpted in the Roman
Period A.D 50-150. This is a three-dimensional proportional human body also
that also plays a big role in determining the culture of the sculpture because
it is said that the Greek started statuary and art, the late Classical period
made changes in label and functions of the sculptures. Antiquated Greek
craftsman had awesome learning aptitudes for the duration of the time that
added toward the western human advancement.

Craftsman needed to make artwork that is about present
reality and the advanced society, as opposed to the world that is believed to
be loaded with idealize people. It was acknowledged to see specialists
propelling awesome divine beings and legends of the Greek. In the model, Pan is
around 66% of Dionysus. The assortments of Dionysus and Pan are depicted both
physically corresponding, back in their time the Greek craftsman wanted to make
pictures of “perfect” human bodies. Both Dionysus’s and Pan’s facial
expressions are very normal. Their emotions are more open and warm than
compared to the sculptures that the earlier Late Classical Period artist.
Dionysus also expresses a clean and childish feeling, in comparison to Pan that
has a more developed mature expression. While Dionysus looks at Pan, Pan is
looking and admiring his idol, Dionysus. The communication between the two is
very complex.

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The creators tried to enlighten the sculpture so the artwork
could look more natural. The communication amongst Dionysus and Pan is
extremely normal in our day by day lives and the acts of making models with
communicating figures were not popular until the fourth BCE. Artwork from this
time was characterized by “perfect” portion. Figures from the Late Classical
Period did go about as models in perfect shape, as well as the outward
appearances. It’s likewise known in more practical and typical ways. The museum
does not provide information on the creators of the sculpture, so it remains
unknown. However popular works of art from the Late Established Period had
their own sort of style of craftsmanship.

The artists who created this work put a tree trunk on the
sculpture to help support the sculpture, the creator attended this sculpture to
last for thousands of years. The trunk is there where you can see the
contrapposto stance that Dionysus is standing in. Contrast with the Greek prior
statues that were still and smooth, the fine art from the Late. In this sculpture
the artist chose not to use any color, however, the lighting and shadow make
the image more set. During the Late Classical period, the sculptures were
designed for common practice for an artist to make statues that associate with
their habitat in all three dimensions. It is attended to look at the statues in
more than one angle so that one could get a full profile of the sculpture.

Greek sculpture mostly included drawings of the human body,
mainly gods or figures of Greek heroes. The Greeks use to stress the
significance on the human body because they believed that the gods that they
were worshiping were anthropomorphic (having human characteristics) and that the gods were in
a perfect form. Most Greek artworks were connected to gods because the ancient
Greeks wanted to thank their god for good life and good wealth. Religious
belief and human everyday lives were naturally mixed together.

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